Switching hats from architect to wordsmith, our own Eric Rowland is a featured guest blogger for the IMA today. He continues a series of blog posts on acquisitions for the IMA’s new Design Arts galleries, opening in fall of 2013.
You can read additional posts from this series here: http://www.imamuseum.org/blog/
My first project in architectural school was drawing a house designed by Mario Botta. It was an exercise designed to teach us how to draw isometric images, and I think the Botta house was selected because it was such a simple form. It was a long narrow house that looked like a shoebox on its side, with irregularly shaped openings cut out of it and stripes across the sides. I loved it! I had never seen a house like this and I was immediately interested in finding more of his work.
Mario Botta, Single-family house in Ligornetto,Ticino, Switzerland, 1975-1976.
Botta’s roots in Lugano, Switzerland certainly reveal themselves in his work. Lugano is in a mountainous part of the country, with tranquil lakes and an amazing alpine skyline. The proximity to Italy no doubt allowed him to be exposed to the work of Carlo Scarpa, an architect whose attitudes to masonry, geometry and precise detailing seem to be reflected in Botta’s work. While the majority of his work is in his native region and includes single-family houses, vacation houses, offices religious buildings and even warehouses, his best known work in the United States is the San Francisco Museum of Modern Art.
Mario Botta, San Francisco Museum of Modern Art, 1992-1995.
I think Botta is a good example of an “architect’s architect.” His work is precise and tailored, sensitive to context, but bold and self-assured. Symmetry and texture play an important part in his work, and his vocabulary generally consists of a masonry shell, cracked to reveal its jewel-like contents as though you took a band-saw to a geode. Strong striping and simple geometric forms define its character.
Mario Botta, Tesi table, 1985.
This table acquired by the IMA is an evolution of that architectural vocabulary and an extension of his materiality. Like the center of a geode, the Tesi materials are multifaceted and shiny. A simple metal triangle extrudes to create a minimal base. Bold metal stripes articulate the support of the rectangular glass top. The Tesi table is a great piece of interior architecture that fittingly represents Botta’s bold body of work.